Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
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Seite 56
... effects of short focal length , as in the preceding case . All of this , the will to manipulate , the desire to produce right down to the slightest bit of image consciously ( knowing how it was made , and , why not [ see below ] , what ...
... effects of short focal length , as in the preceding case . All of this , the will to manipulate , the desire to produce right down to the slightest bit of image consciously ( knowing how it was made , and , why not [ see below ] , what ...
Seite 77
... effect , " aiming at leading [ his ] contemporaries to the necessary , correct , left- wing , active " pumping up ... effects of " rapture , " of flight from real- ity , and other effects of passivization . [ ... ] It is the bour ...
... effect , " aiming at leading [ his ] contemporaries to the necessary , correct , left- wing , active " pumping up ... effects of " rapture , " of flight from real- ity , and other effects of passivization . [ ... ] It is the bour ...
Seite 130
... effects track ) . And , intertwined with these three elements , the musical theme scans the whole passage , or , more precisely , it has the effect of putting the whole of the sound track , music , sound effects , and words , entirely ...
... effects track ) . And , intertwined with these three elements , the musical theme scans the whole passage , or , more precisely , it has the effect of putting the whole of the sound track , music , sound effects , and words , entirely ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
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