Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
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Seite 17
... diegesis . 11 And in terms of belief , I think that the balance is not the same in the cinema spectator , because the material of the signifier in the theater is completely real . The material which is used to depict the diegesis in the ...
... diegesis . 11 And in terms of belief , I think that the balance is not the same in the cinema spectator , because the material of the signifier in the theater is completely real . The material which is used to depict the diegesis in the ...
Seite 18
... diegesis . How would one articulate the relationship between the role of the diegesis of the film , or theater or novel , and the role of diegesis in psychoanalytic therapy ? M : There is one main difference , I think , between diegesis ...
... diegesis . How would one articulate the relationship between the role of the diegesis of the film , or theater or novel , and the role of diegesis in psychoanalytic therapy ? M : There is one main difference , I think , between diegesis ...
Seite 23
... much more unreal in film ( and commercials ) which makes the belief in the diegesis of the film ( or commercial ) all the more real ( in cinematic terms ) .56 The concepts of mass production / efficiency and product differen-. 23.
... much more unreal in film ( and commercials ) which makes the belief in the diegesis of the film ( or commercial ) all the more real ( in cinematic terms ) .56 The concepts of mass production / efficiency and product differen-. 23.
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
analysis Anastasia articulation Barthes become Bellour Cahiers du cinéma camera castration Christian Metz cinema cognitive concept connotation construction critical critique cultural denotation desire dialectic diegesis diegetic discourse effect Eisenstein Eisensteinian example fact fantasy feminine feminism feminist fetishism film filmic filmmakers Foucault fragment frame Freud function genre Habermas Habermas's hermeneutics human identification ideological imaginary Ivan Jacques Lacan Jean-Louis Baudry kind Lacan language Laura Mulvey literary literature look male Marx Marxist meaning Melanie metaphor Mitch montage mother movement myth narrative nature notion object Oedipal organicism penis Penthesilea phallus political practices precisely problem produced psychoanalysis question relation relationship representation Roland Barthes Schroeter science fiction sense sequence sexual shot signifier social society specific spectator sphinx story structure Superman Suvin Syberberg symbolic theme theoretical theory things tion Ulrike Ottinger woman women words