Im Buch
Ergebnisse 1-3 von 29
Seite 19
6-7 ) entitled , significantly , " Connotation : Against " and " Connotation : Even So. ... It is generally agreed that in a connotative code the signifier is constituted by the whole denota- tive code ( signifier and signified ) .
6-7 ) entitled , significantly , " Connotation : Against " and " Connotation : Even So. ... It is generally agreed that in a connotative code the signifier is constituted by the whole denota- tive code ( signifier and signified ) .
Seite 24
The first one accounts for the fact that the use of certain codes of denotation has , by itself , connotative value ; but besides this " large connotation " which refers without differ- entiation to an entire discourse , it does not ...
The first one accounts for the fact that the use of certain codes of denotation has , by itself , connotative value ; but besides this " large connotation " which refers without differ- entiation to an entire discourse , it does not ...
Seite 27
From this new perspective , a cinematographic style , because " styles " belong to connotation , can be defined as a two - sided en- tity of connotation , provided with proper signifieds ( evocative powers , varied resonances ...
From this new perspective , a cinematographic style , because " styles " belong to connotation , can be defined as a two - sided en- tity of connotation , provided with proper signifieds ( evocative powers , varied resonances ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
according analysis appears attempt become beginning body called castration character cinema communication complex concept concerned connotation construction continues course critical cultural desire dialectic diegesis discourse effect Eisenstein elements example existence experience expression fact fiction figure film finally forces frame Freud function give hand human idea ideological imaginary important individual interest issues Italy Ivan kind knowledge language literature look male marks Marxism material meaning montage mother movement narrative nature never notion object once particular play political position possible practices precisely present problem produced question reference relation relationship remains representation represents seems sense sequence sexual shot signifier situation social society space speak specific spectator story structure Superman symbolic takes theory things tion tradition whole woman women writing