Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
Im Buch
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Seite 50
... cinema of representation was not totally unexpected , it is also true , as Christian Metz put it , that cinema had not been expected to be used to tell stories . " From the beginnings of the cinematograph there were various indications ...
... cinema of representation was not totally unexpected , it is also true , as Christian Metz put it , that cinema had not been expected to be used to tell stories . " From the beginnings of the cinematograph there were various indications ...
Seite 52
... cinema is not simply a way of producing discourse . Discourses are embodied in technical pro- cesses , in institutions , in patterns of general behavior , in forms for transmission and diffusion , and in pedagogical forms which , at ...
... cinema is not simply a way of producing discourse . Discourses are embodied in technical pro- cesses , in institutions , in patterns of general behavior , in forms for transmission and diffusion , and in pedagogical forms which , at ...
Seite 53
... cinema is not simply a way of producing discourse . Discourses are embodied in technical pro- cesses , in institutions , in patterns of general behavior , in forms for transmission and diffusion , and in pedagogical forms which , at ...
... cinema is not simply a way of producing discourse . Discourses are embodied in technical pro- cesses , in institutions , in patterns of general behavior , in forms for transmission and diffusion , and in pedagogical forms which , at ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
analysis Anastasia articulation Barthes become Bellour Cahiers du cinéma camera castration Christian Metz cinema cognitive concept connotation construction critical critique cultural denotation desire dialectic diegesis diegetic discourse effect Eisenstein Eisensteinian example fact fantasy feminine feminism feminist fetishism film filmic filmmakers Foucault fragment frame Freud function genre Habermas Habermas's hermeneutics human identification ideological imaginary Ivan Jacques Lacan Jean-Louis Baudry kind Lacan language Laura Mulvey literary literature look male Marx Marxist meaning Melanie metaphor Mitch montage mother movement myth narrative nature notion object Oedipal organicism penis Penthesilea phallus political practices precisely problem produced psychoanalysis question relation relationship representation Roland Barthes Schroeter science fiction sense sequence sexual shot signifier social society specific spectator sphinx story structure Superman Suvin Syberberg symbolic theme theoretical theory things tion Ulrike Ottinger woman women words