Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
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Seite 20
... character who is looked at by another character who is off - frame . This off - character is a kind of substitute for the spectator , because part of the definition of the spectator is to be off - frame . And so the character - off ...
... character who is looked at by another character who is off - frame . This off - character is a kind of substitute for the spectator , because part of the definition of the spectator is to be off - frame . And so the character - off ...
Seite 107
... character . The imaginary stories thus allow Superman to remain a fixed character relegating all development to a spectral realm . Eco claims that only through the maintenance of a confused notion of time , can Superman stories be made ...
... character . The imaginary stories thus allow Superman to remain a fixed character relegating all development to a spectral realm . Eco claims that only through the maintenance of a confused notion of time , can Superman stories be made ...
Seite 4
... character , the video systematically subverts this structure by staging these theatrical presentations from a limited series of mutually exclusive vantage points , i.e .: frontally , from the point of view of the spectator , a point of ...
... character , the video systematically subverts this structure by staging these theatrical presentations from a limited series of mutually exclusive vantage points , i.e .: frontally , from the point of view of the spectator , a point of ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
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according analysis appears attempt become beginning body called castration character cinema communication complex concept concerned connotation construction continues course critical cultural desire dialectic diegesis discourse effect Eisenstein elements example existence experience expression fact fiction figure film finally forces frame Freud function give hand human idea ideological imaginary important individual interest issues Italy Ivan kind knowledge language literature look male marks Marxism material meaning montage mother movement narrative nature never notion object once particular play political position possible practices precisely present problem produced question reference relation relationship remains representation represents seems sense sequence sexual shot signifier situation social society space speak specific spectator story structure Superman symbolic takes theory things tion tradition whole woman women writing