Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
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Seite 94
... superman reads his mind and when Smalley attacks him he kills Smalley instead . The bitterness and frustration ... superman's character . When people disdain his dirty , disheveled appearance , he humbles them through demonstrations of ...
... superman reads his mind and when Smalley attacks him he kills Smalley instead . The bitterness and frustration ... superman's character . When people disdain his dirty , disheveled appearance , he humbles them through demonstrations of ...
Seite 99
... Superman exposes the unsafe working conditions in a coal mine caused by the owner's greed and neglect . Disguised as a miner , Superman rescues workers trapped by a cave - in . Confronted with his irresponsibility by Kent , the owner ...
... Superman exposes the unsafe working conditions in a coal mine caused by the owner's greed and neglect . Disguised as a miner , Superman rescues workers trapped by a cave - in . Confronted with his irresponsibility by Kent , the owner ...
Seite 107
... Superman is invulnerable and seemingly invincible . Like the characters of a timeless myth he is a perfect being who neither errs , changes , ages , or develops . Un- like mortals ... Superman comes off as a Prehistory of the Superman 107.
... Superman is invulnerable and seemingly invincible . Like the characters of a timeless myth he is a perfect being who neither errs , changes , ages , or develops . Un- like mortals ... Superman comes off as a Prehistory of the Superman 107.
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
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according analysis appears attempt become beginning body called castration character cinema communication complex concept concerned connotation construction continues course critical cultural desire dialectic diegesis discourse effect Eisenstein elements example existence experience expression fact fiction figure film finally forces frame Freud function give hand human idea ideological imaginary important individual interest issues Italy Ivan kind knowledge language literature look male marks Marxism material meaning montage mother movement narrative nature never notion object once particular play political position possible practices precisely present problem produced question reference relation relationship remains representation represents seems sense sequence sexual shot signifier situation social society space speak specific spectator story structure Superman symbolic takes theory things tion tradition whole woman women writing