Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
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Seite 46
... Schroeter has been not only the contemporary of the more celebrated German filmmakers but , in many respects , their mentor . Born in 1945 , Schroeter was a semi- nal presence in the new wave of German cinema since its incep- tion . He ...
... Schroeter has been not only the contemporary of the more celebrated German filmmakers but , in many respects , their mentor . Born in 1945 , Schroeter was a semi- nal presence in the new wave of German cinema since its incep- tion . He ...
Seite 74
... Schroeter . " What accounts for this striking disproportion of Schroeter's influence set against his audience and critical reception ( particu- larly in this country ) is without doubt the so - called " under- ground " dimension of his ...
... Schroeter . " What accounts for this striking disproportion of Schroeter's influence set against his audience and critical reception ( particu- larly in this country ) is without doubt the so - called " under- ground " dimension of his ...
Seite 80
... Schroeter set out for Los Angeles to make the film ; there , however , " everything was too obvious " and Schroeter made instead Willow Springs , a film in which , as I've been indicating the spectre of Marilyn Monroe as the epitome of ...
... Schroeter set out for Los Angeles to make the film ; there , however , " everything was too obvious " and Schroeter made instead Willow Springs , a film in which , as I've been indicating the spectre of Marilyn Monroe as the epitome of ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
analysis Anastasia articulation Barthes become Bellour Cahiers du cinéma camera castration Christian Metz cinema cognitive concept connotation construction critical critique cultural denotation desire dialectic diegesis diegetic discourse effect Eisenstein Eisensteinian example fact fantasy feminine feminism feminist fetishism film filmic filmmakers Foucault fragment frame Freud function genre Habermas Habermas's hermeneutics human identification ideological imaginary Ivan Jacques Lacan Jean-Louis Baudry kind Lacan language Laura Mulvey literary literature look male Marx Marxist meaning Melanie metaphor Mitch montage mother movement myth narrative nature notion object Oedipal organicism penis Penthesilea phallus political practices precisely problem produced psychoanalysis question relation relationship representation Roland Barthes Schroeter science fiction sense sequence sexual shot signifier social society specific spectator sphinx story structure Superman Suvin Syberberg symbolic theme theoretical theory things tion Ulrike Ottinger woman women words