Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
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Seite 102
... Ivan's movements in the first passage ( in particular his series of looks back and forth from right to left , shots 37 to 42 and I to K ) can be reiterated in the very greatest formal and figurative detail . Even before any analytical ...
... Ivan's movements in the first passage ( in particular his series of looks back and forth from right to left , shots 37 to 42 and I to K ) can be reiterated in the very greatest formal and figurative detail . Even before any analytical ...
Seite 131
... Ivan and his following . ( And , from this point of view , the decapitated heads of the Kolytchevs will be one of Ivan's answers . ) It is an attempt to punish Ivan for his presumptuousness and to weaken him by eliminating his sole ...
... Ivan and his following . ( And , from this point of view , the decapitated heads of the Kolytchevs will be one of Ivan's answers . ) It is an attempt to punish Ivan for his presumptuousness and to weaken him by eliminating his sole ...
Seite 137
... Ivan the Terrible , film director Sergei Eisenstein revealed his ignorance of historical fact by presenting ( ... ) Ivan the Terrible himself , who had determination and character , as weak and indecisive , a little like Hamlet . " This ...
... Ivan the Terrible , film director Sergei Eisenstein revealed his ignorance of historical fact by presenting ( ... ) Ivan the Terrible himself , who had determination and character , as weak and indecisive , a little like Hamlet . " This ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
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