Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
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Seite 102
... Ivan's movements in the first passage ( in particular his series of looks back and forth from right to left , shots 37 to 42 and I to K ) can be reiterated in the very greatest formal and figurative detail . Even before any analytical ...
... Ivan's movements in the first passage ( in particular his series of looks back and forth from right to left , shots 37 to 42 and I to K ) can be reiterated in the very greatest formal and figurative detail . Even before any analytical ...
Seite 107
... Ivan . 16b : 16c : 21a : ( Ivan :) I am alone . There is no one I can trust . Kourbsky is far away , fighting in Livonia . Kolytchev is even further off , praying in a monastery . I have only you . ( Messenger :) I come from Riazan ...
... Ivan . 16b : 16c : 21a : ( Ivan :) I am alone . There is no one I can trust . Kourbsky is far away , fighting in Livonia . Kolytchev is even further off , praying in a monastery . I have only you . ( Messenger :) I come from Riazan ...
Seite 132
... Ivan , who causes that poison to be drunk ( cf. , in shot 49 , the heavy emphasis on his hand holding the goblet , very unrealistically , throughout the entire ingestion of the liquid , finally occupying the entire frame and very ...
... Ivan , who causes that poison to be drunk ( cf. , in shot 49 , the heavy emphasis on his hand holding the goblet , very unrealistically , throughout the entire ingestion of the liquid , finally occupying the entire frame and very ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
analysis Anastasia articulation Barthes become Bellour Cahiers du cinéma camera castration Christian Metz cinema cognitive concept connotation construction critical critique cultural denotation desire dialectic diegesis diegetic discourse effect Eisenstein Eisensteinian example fact fantasy feminine feminism feminist fetishism film filmic filmmakers Foucault fragment frame Freud function genre Habermas Habermas's hermeneutics human identification ideological imaginary Ivan Jacques Lacan Jean-Louis Baudry kind Lacan language Laura Mulvey literary literature look male Marx Marxist meaning Melanie metaphor Mitch montage mother movement myth narrative nature notion object Oedipal organicism penis Penthesilea phallus political practices precisely problem produced psychoanalysis question relation relationship representation Roland Barthes Schroeter science fiction sense sequence sexual shot signifier social society specific spectator sphinx story structure Superman Suvin Syberberg symbolic theme theoretical theory things tion Ulrike Ottinger woman women words