Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
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Seite 100
... Ivan the Terrible , Part 1 and Part 2 . Globally , and once again at the risk of being somewhat repetitive , I present my reading as a catalog , laying out the polysemous nature of the text . In doing so I use as my point of reference ...
... Ivan the Terrible , Part 1 and Part 2 . Globally , and once again at the risk of being somewhat repetitive , I present my reading as a catalog , laying out the polysemous nature of the text . In doing so I use as my point of reference ...
Seite 126
... Ivan just as he has turned toward the light in order to read . Now , this notable change of the point of view from which we see Ivan's face ( it more than doubles in size from one shot to the next ) is accompanied by practically no ...
... Ivan just as he has turned toward the light in order to read . Now , this notable change of the point of view from which we see Ivan's face ( it more than doubles in size from one shot to the next ) is accompanied by practically no ...
Seite 137
... Ivan the Terrible , film director Sergei Eisenstein revealed his ignorance of historical fact by presenting ( ... ) Ivan the Terrible himself , who had determination and character , as weak and indecisive , a little like Hamlet . " This ...
... Ivan the Terrible , film director Sergei Eisenstein revealed his ignorance of historical fact by presenting ( ... ) Ivan the Terrible himself , who had determination and character , as weak and indecisive , a little like Hamlet . " This ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
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