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01 Earth hath many a region brighty

And Ocean many an islem But where on mortals shines the light

Of Freedom's cloudless smile? The search is vain! From human skies

The angel early fledOur only land of freedom is

The country of the dead I



“Tis bright where'er the heart is ;
Nor chain nor dungeon dim,
May check the mind's aspirings,
The spirit's pealing hymn.
The heart gives life its beauty,
Its glory and its power,—
'Tis sunlight to its rippling stream,
And soft dew to its flower."

The poems of this blind lady have been so much and so justly admired by all who have read them, and have so frequently drawn from the pen of reviewers acknowledgments of their superior excellence, almost amounting to adulation, that a few glimpses of her early history will be received no doubt by our readers with interest. To her assiduous efforts as a teacher, the Institution for the Blind at New York, with which she has long been connected, owes much of its present prosperity; and to her aid in many other respects it is, no doubt, indebted for its worldwide reputation.

No one can read her poems and not be struck with the simple beauty and elegance of her style, the correctness of her imagery, and her giddy flights of


fancy, as may be seen in the poem entitled, “Visit to a Fixed Star.” And more particularly is she happy

” in the choice of euphonic words, and in the construc tion of musical and well rounded sentences, which is said to be a characteristic of the blind. In the

preface of her first work, the writer of it observes: “That one who, from the earliest period of infancy, has been deprived of sight, and whose entire knowledge of external objects, from which to paint with the imaginative pencil, has been derived from oral description, should be able thus faithfully to present scenes from nature, and in colors 80 vivid and true as to render the reader incredulous as to the originality of the production, is a subject of surprise, as well as admiration.

As an evidence that Miss Crosby is in some degree a reasoner, as well as poetess, we copy the following lines from her last work, entitled, “Monterey and other Poems :"


Why should I fear it! Once the pulse of life
Throbbed in these temples, pale and bloodless now!
Here reason sat enthroned, its empire held
O'er infant thought and thought to action grown:
A flashing eye in varying glances told
The secret workings of immortal mind.
The vital spark hath fled, and hope, and love.

* Thoughts suggested to our authoress on placing her watch in a human skull, which was one day put into her hands.


And hatred all are buried in the dust:
Forgotten, like the cold and senseless clay
That lies before me: such is human life.
Mortals, behold and read your destiny !
Faithful chronometer, which now I place
Within this cavity, with faltering hand,
Tell me how swift the passing moments fly!
I hear thy voice, and tremble as I hear;
For time and death are blended-awful thought!
Death claims his victim. Time that once was his,
Bearing him onward with resistless power,
Must in a vast eternity be lost.
Eternity! duration infinite !
Ages and ages roll unnumbered there ;
From star to star the soul enraptured flies,
Drinking new beauties, transports ever new,
Casting its crown of glory at His feet,
Whose word from chaos to existence called
A universe; whose hand omnipotent
Controls the storms that wake the boundless deep,
"And guides the planet in its wild career.”

The novel circumstance which formed the subject of this poem, though trivial in itself, was well calculated to inspire our authoress with deep and sublime emotions, and at once suggest to her a train of melancholy reflections.

“Why should I fear it! Once the pulse of life
Throbbed in these temples, pale and bloodless now.”

What terror must she have felt, on placing her hands on the dry, hard bones, which once formed the prison-house of an immortal mind! How reluctantly must she have placed her watch in the dark cavity where once sat enthroned a reason, an ever-active in

telligence, that thinks, that wills, that knows, and yet knows not itself, or its own destiny !

“I hear thy voice, and tremble as I hear;
For time and death are blended--awful thought!”

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Among her many creditable performances, this poem unquestionably excels in point of what we conceive to be true merit. It certainly stands unrivaled by any modern production of the blind we have yet seen. It not only possesses many intrinsic beauties, but discovers in the writer a depth of thought, and an appreciation of the sublime truly surprising

Miss Frances Jane Crosby, an élève of the New York Institution for the Blind, was born in 1820. At the early age of six weeks she lost her sight, by a fit of severe illness. Nor was this her only misfortune. Losing her father about this time, and her mother being left in indigent circumstances, scarcely able to provide for her own maintenance, the early education of her sightless daughter was entirely neglected.

Her unhappy condition at this period we cannot better describe than she herself has done in the following:

“She sat beside her cottage door,
Her brow a pensive sadness wore ;
And while she listened to the song
That issued from that youthful throng,
The tears, warm gushing on her cheek,
Told what no language e'er could speak;

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