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Seite 9
... our tears by almost the whole house ; the young people especially showed such a becoming sensibility , as gives me hopes virtue has a stronger party in the rising generation , than those of my age in general are inclined to allow .
... our tears by almost the whole house ; the young people especially showed such a becoming sensibility , as gives me hopes virtue has a stronger party in the rising generation , than those of my age in general are inclined to allow .
Seite 85
You've touched on the key problem . pieces than anything else . We were complaining of this the other evening at rehearsal and there was James Booth with a skipping rope saying ' Would it be amusing if we did the whole scene skipping ?
You've touched on the key problem . pieces than anything else . We were complaining of this the other evening at rehearsal and there was James Booth with a skipping rope saying ' Would it be amusing if we did the whole scene skipping ?
Seite 228
The fault of Kean's Othello , as indeed of all his parts , was that it was not an artistic whole : separate scenes , and single passages , were given with admirable truth , vigour and beauty , but the entire character was comparatively ...
The fault of Kean's Othello , as indeed of all his parts , was that it was not an artistic whole : separate scenes , and single passages , were given with admirable truth , vigour and beauty , but the entire character was comparatively ...
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole