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Scofield plays the early scenes magnificently , in a gravelly voice which throws out words and phrases like the unexpected blows of a boxer . The great speeches of the second half were a slight disappointment , because his voice had by ...
Scofield plays the early scenes magnificently , in a gravelly voice which throws out words and phrases like the unexpected blows of a boxer . The great speeches of the second half were a slight disappointment , because his voice had by ...
Seite 203
To the diminutiveness of Kean's person was added the frequent harshness of his voice . The lower tones were good ; it was when the voice was raised that it became dissonant . John Finlay ( in his Miscellanies ) , who saw the actor in ...
To the diminutiveness of Kean's person was added the frequent harshness of his voice . The lower tones were good ; it was when the voice was raised that it became dissonant . John Finlay ( in his Miscellanies ) , who saw the actor in ...
Seite 214
He had a remarkable voice . The obituary notice in the Chicago Daily Tribune stated that his voice was rich , deep , robust , and sonorous , and ... it possessed unexampled power . . . . In the stormy lines of “ Othello's ” wrath ...
He had a remarkable voice . The obituary notice in the Chicago Daily Tribune stated that his voice was rich , deep , robust , and sonorous , and ... it possessed unexampled power . . . . In the stormy lines of “ Othello's ” wrath ...
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 11 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Mitwirkende Personen | Gale Research Company |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810361353, 9780810361355 |
| Zitat exportieren | BiBTeX EndNote RefMan |