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Seite 21
Mr Phelps acts the scene well , marks strongly the tenderness for Cordelia , and delicately traces a gradation through which Lear's mind passes as his love for her turns to a wrath that is effectively expressed .
Mr Phelps acts the scene well , marks strongly the tenderness for Cordelia , and delicately traces a gradation through which Lear's mind passes as his love for her turns to a wrath that is effectively expressed .
Seite 297
When he named them ' my masters ' it was proudly edged : he had been a slave , their inquisition recalled his slavery , he reminded them in turn of his service and generalship . He described Desdemona's encouragement smiling down at ...
When he named them ' my masters ' it was proudly edged : he had been a slave , their inquisition recalled his slavery , he reminded them in turn of his service and generalship . He described Desdemona's encouragement smiling down at ...
Seite 514
There is a further quality in this play which must turn us away from the solidity of “ indoor ” scenery into a freer dimension ... The brief , ecstatic , tragic days turn to the rhythm of the turning globe of the world , defined with a ...
There is a further quality in this play which must turn us away from the solidity of “ indoor ” scenery into a freer dimension ... The brief , ecstatic , tragic days turn to the rhythm of the turning globe of the world , defined with a ...
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 11 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Mitwirkende Personen | Gale Research Company |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810361353, 9780810361355 |
| Zitat exportieren | BiBTeX EndNote RefMan |