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99 For three hundred years commentators have questioned whether King Lear , arguably Shakespeare's greatesť tragedy , can be successfully represented on stage . From 1681 until the second quarter of the nineteenth century , producers ...
99 For three hundred years commentators have questioned whether King Lear , arguably Shakespeare's greatesť tragedy , can be successfully represented on stage . From 1681 until the second quarter of the nineteenth century , producers ...
Seite 143
goer , and seen the best art this country can produce , but never can I say that I have seen English tragedy on the English stage . The cause is not far to seek . We have actors in abundance , and some of them creative artists ; yet we ...
goer , and seen the best art this country can produce , but never can I say that I have seen English tragedy on the English stage . The cause is not far to seek . We have actors in abundance , and some of them creative artists ; yet we ...
Seite 304
Cynicism and tragedy are , of course , incompatible . ... There is a constant physical rapport between this Othello and Desdemona , and when it is finally severed in death we touch the high - water mark of English tragedy playing .
Cynicism and tragedy are , of course , incompatible . ... There is a constant physical rapport between this Othello and Desdemona , and when it is finally severed in death we touch the high - water mark of English tragedy playing .
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 11 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Mitwirkende Personen | Gale Research Company |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810361353, 9780810361355 |
| Zitat exportieren | BiBTeX EndNote RefMan |