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Seite 166
I particularly wanted to see your Lear because I've always admired the things that you've done , and the play is a ... Well , you mustn't take this personally , Bob , but I never read any authorities , and the first thing I do is go ...
I particularly wanted to see your Lear because I've always admired the things that you've done , and the play is a ... Well , you mustn't take this personally , Bob , but I never read any authorities , and the first thing I do is go ...
Seite 197
... the name of Othello has conjured up a being endowed with every thing that is noble in feature , every thing that is graceful in demeanour , every thing that is grand and dignified in person ; in short , bating his colour ...
... the name of Othello has conjured up a being endowed with every thing that is noble in feature , every thing that is graceful in demeanour , every thing that is grand and dignified in person ; in short , bating his colour ...
Seite 298
I saw the whole thing : that I could easily have gone to this fellow's farm , met his wife . Then one day I would go without being asked , and he would come upon me with his wife . I would get up rather hastily or something like that ...
I saw the whole thing : that I could easily have gone to this fellow's farm , met his wife . Then one day I would go without being asked , and he would come upon me with his wife . I would get up rather hastily or something like that ...
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole