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Seite 81
The actors have been wary of the sheets ever since , and the storm scenes have gained an element of real apprehension which is all to the good . This afternoon they were used in the run - through . experiments and simply do not see the ...
The actors have been wary of the sheets ever since , and the storm scenes have gained an element of real apprehension which is all to the good . This afternoon they were used in the run - through . experiments and simply do not see the ...
Seite 134
It is worth attention because it shows the often very fine creative imagination by which , in the modern directorial theatre , Shakespeare's own imaginative effort , his text , is swallowed up . “ The unifying factor ” in the storm ...
It is worth attention because it shows the often very fine creative imagination by which , in the modern directorial theatre , Shakespeare's own imaginative effort , his text , is swallowed up . “ The unifying factor ” in the storm ...
Seite 156
When I speak of the scenes on the heath , I am referring to that whole sequence from the meeting of the Gentleman and Kent - moving as if underwater and shouting across blank space — to the ending of the storm in the sleep of Lear .
When I speak of the scenes on the heath , I am referring to that whole sequence from the meeting of the Gentleman and Kent - moving as if underwater and shouting across blank space — to the ending of the storm in the sleep of Lear .
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 11 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Mitwirkende Personen | Gale Research Company |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810361353, 9780810361355 |
| Zitat exportieren | BiBTeX EndNote RefMan |