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Seite 214
He was acclaimed , also , for his look of horror when contemplating Desdemona's appearance at the end of this speech . Though Forrest learned to deliver Othello's “ Farewell ” most effectively , it was not the pathos in his delivery ...
He was acclaimed , also , for his look of horror when contemplating Desdemona's appearance at the end of this speech . Though Forrest learned to deliver Othello's “ Farewell ” most effectively , it was not the pathos in his delivery ...
Seite 468
speech could show , but its sudden clarity was represented and accentuated by the manner in which it was spoken . So the stage - business took its cue from the words spoken , and centred Romeo's interest , without respect to absurdity ...
speech could show , but its sudden clarity was represented and accentuated by the manner in which it was spoken . So the stage - business took its cue from the words spoken , and centred Romeo's interest , without respect to absurdity ...
Seite 470
The Stratford production of 1945 cut the Friar's last speech from forty lines to six ; that of 1941 omitted the Friar altogether after he had left Juliet ; and Peter Brook's production of 1947 deleted everything after Juliet's last ...
The Stratford production of 1945 cut the Friar's last speech from forty lines to six ; that of 1941 omitted the Friar altogether after he had left Juliet ; and Peter Brook's production of 1947 deleted everything after Juliet's last ...
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 11 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Mitwirkende Personen | Gale Research Company |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810361353, 9780810361355 |
| Zitat exportieren | BiBTeX EndNote RefMan |