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Seite 13
We had thought that Mr. Kean would take possession of this time - worn , venerable figure , ' that has outlasted a thousand storms , a thousand winters , ' and , like the gods of old , when their oracles were about to speak , shake it ...
We had thought that Mr. Kean would take possession of this time - worn , venerable figure , ' that has outlasted a thousand storms , a thousand winters , ' and , like the gods of old , when their oracles were about to speak , shake it ...
Seite 106
Verse - speaking has improved a little at Stratford in recent years , but it is still far from good , although this ... She dies because , as Edgar discovered , you can never , so long as you can actually speak , say that the future ...
Verse - speaking has improved a little at Stratford in recent years , but it is still far from good , although this ... She dies because , as Edgar discovered , you can never , so long as you can actually speak , say that the future ...
Seite 258
From this time forth I never will speak word , [ V. ii . 303-04 ] Unpretentious as the words are , they are yet full of meaning . In another note , returning to the idea of lago's seeming sincerity , he warns : Booth's utterance was ...
From this time forth I never will speak word , [ V. ii . 303-04 ] Unpretentious as the words are , they are yet full of meaning . In another note , returning to the idea of lago's seeming sincerity , he warns : Booth's utterance was ...
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole