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Seite 271
God into them , so that they read their lines metrically and , since Shakespeare is here at his best , to make sense . The sole exception in this case is Mr. José Ferrer's lago in his first scene , where much is to be set forth and ...
God into them , so that they read their lines metrically and , since Shakespeare is here at his best , to make sense . The sole exception in this case is Mr. José Ferrer's lago in his first scene , where much is to be set forth and ...
Seite 309
But , as Olivier's interpretation suggests , Othello begins by making such large claims for himself that by the time he wins through to such a sense of proportion he has lost everything . rectly , but he enjoys giving out indirect signs ...
But , as Olivier's interpretation suggests , Othello begins by making such large claims for himself that by the time he wins through to such a sense of proportion he has lost everything . rectly , but he enjoys giving out indirect signs ...
Seite 454
There was John Gielgud , with his older tradition of perfect speaking of verse , with that marvellous sense of phrasing that's almost unequalled . And there was Larry Olivier , who was in a sense , the most of an innovator .
There was John Gielgud , with his older tradition of perfect speaking of verse , with that marvellous sense of phrasing that's almost unequalled . And there was Larry Olivier , who was in a sense , the most of an innovator .
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 11 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Mitwirkende Personen | Gale Research Company |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810361353, 9780810361355 |
| Zitat exportieren | BiBTeX EndNote RefMan |