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Seite 142
The excerpt below first appeared in the New Age in September 1909 . Poel takes the occasion of having seen an unnamed company produce King Lear to offer his own thoughts on how it should be staged ...
The excerpt below first appeared in the New Age in September 1909 . Poel takes the occasion of having seen an unnamed company produce King Lear to offer his own thoughts on how it should be staged ...
Seite 417
Such a spectacle was seen last night at Booth's Theater . Glancing over the varied and animated throng , you saw many a face that study had paled and thought exalted . Grave judges were there , and workers in the fields of literature ...
Such a spectacle was seen last night at Booth's Theater . Glancing over the varied and animated throng , you saw many a face that study had paled and thought exalted . Grave judges were there , and workers in the fields of literature ...
Seite 495
Many having seen the best actors of their time suppressing this fire in the general , and only giving it scope on certain occasions ; or raising it , as it were , from a small beginning , to the most excessive vehemence , because they ...
Many having seen the best actors of their time suppressing this fire in the general , and only giving it scope on certain occasions ; or raising it , as it were , from a small beginning , to the most excessive vehemence , because they ...
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole