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Seite 141
76-8 ] —the strain of thought which appears here seems to be present in some degree throughout the play . We seem to trace the tendency which , a few years later , produced Ariel and Caliban ( in The Tempest ) , the tendency of ...
76-8 ] —the strain of thought which appears here seems to be present in some degree throughout the play . We seem to trace the tendency which , a few years later , produced Ariel and Caliban ( in The Tempest ) , the tendency of ...
Seite 247
The chivalry , the poetry , the dignity of the part seem now more marked than they were before . ... the more terrible because it is restrained by the sense of dignity which should belong to a great general , seems greater .
The chivalry , the poetry , the dignity of the part seem now more marked than they were before . ... the more terrible because it is restrained by the sense of dignity which should belong to a great general , seems greater .
Seite 248
148 ] , seems as spontaneous and real as possible , as does the astonishment assumed at the supposed first ... His bearing and his aspect throughout seem to us excellent , in spite of the amusing suggestion made by a critic who seems to ...
148 ] , seems as spontaneous and real as possible , as does the astonishment assumed at the supposed first ... His bearing and his aspect throughout seem to us excellent , in spite of the amusing suggestion made by a critic who seems to ...
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 11 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Mitwirkende Personen | Gale Research Company |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810361353, 9780810361355 |
| Zitat exportieren | BiBTeX EndNote RefMan |