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He condemned her character rather than Garrick's shears : This masquerade scene is well disposed to give Romeo an opportunity of unfolding himself ... In the Shakespearian text it is composed of five scenes containing in all 719 lines .
He condemned her character rather than Garrick's shears : This masquerade scene is well disposed to give Romeo an opportunity of unfolding himself ... In the Shakespearian text it is composed of five scenes containing in all 719 lines .
Seite 410
in the way she worked the more harrowing scenes into the pattern of the play as a whole . ... Even in the mad scene , which we have seen in the hands of less skilled actors to stand out from the rest of the play in distorted and ...
in the way she worked the more harrowing scenes into the pattern of the play as a whole . ... Even in the mad scene , which we have seen in the hands of less skilled actors to stand out from the rest of the play in distorted and ...
Seite 518
12-14 ) , the servants were being called upon to attend in at the opening of ( Act I , Scene v ] . The exact staging is further complicated by Capulet's order [ I. v . 27 ] to turn the tables up ' , implying that they had been eating in ...
12-14 ) , the servants were being called upon to attend in at the opening of ( Act I , Scene v ] . The exact staging is further complicated by Capulet's order [ I. v . 27 ] to turn the tables up ' , implying that they had been eating in ...
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 11 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810361353, 9780810361355 |
| Zitat exportieren | BiBTeX EndNote RefMan |