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Seite 161
( Speaight's most sentimental remark — about the “ unbearable pathos ” of Lear's line “ And my poor fool is hanged ... Yet some of his remarks seem more applicable to the theatre of the present moment , when a fairly large number of the ...
( Speaight's most sentimental remark — about the “ unbearable pathos ” of Lear's line “ And my poor fool is hanged ... Yet some of his remarks seem more applicable to the theatre of the present moment , when a fairly large number of the ...
Seite 368
Attests to James Quin's reputation as a fine actor , but remarks that some of his diverse roles , including Othello , lack individuality . Dunning , Jennifer . “ James Earl Jones Prepares to Map the Tormented Soul of ' Othello .
Attests to James Quin's reputation as a fine actor , but remarks that some of his diverse roles , including Othello , lack individuality . Dunning , Jennifer . “ James Earl Jones Prepares to Map the Tormented Soul of ' Othello .
Seite 371
The critic remarks : “ This is an evening of technical virtuosities which never cease to fascinate but touch the emotions all too rarely . " Trewin , J. C. “ The Old Vic and Stratford - upon - Avon 1961-1962 .
The critic remarks : “ This is an evening of technical virtuosities which never cease to fascinate but touch the emotions all too rarely . " Trewin , J. C. “ The Old Vic and Stratford - upon - Avon 1961-1962 .
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole