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As it transpired , there was an opportunity before then , when Gielgud appeared in a second Old Vic Production in 1940. This one.was conceived by Harley Granville - Barker , who contributed significantly to the initial preparations for ...
As it transpired , there was an opportunity before then , when Gielgud appeared in a second Old Vic Production in 1940. This one.was conceived by Harley Granville - Barker , who contributed significantly to the initial preparations for ...
Seite 4
J. C. Trewin , for example , reported that the production was breathtaking , particularly in its evocation of a terrifying , “ harsh and primitive ” world . Bertram Joseph and Robert Speaight were among the critics who were more ...
J. C. Trewin , for example , reported that the production was breathtaking , particularly in its evocation of a terrifying , “ harsh and primitive ” world . Bertram Joseph and Robert Speaight were among the critics who were more ...
Seite 175
An indifferent response to Peter Brook's RSC production of Lear on tour in New York . McCarten suggests that his lack of enthusiasm may be directly related to the " deplorable ” acoustics at the Lincoln Center theater , which frequently ...
An indifferent response to Peter Brook's RSC production of Lear on tour in New York . McCarten suggests that his lack of enthusiasm may be directly related to the " deplorable ” acoustics at the Lincoln Center theater , which frequently ...
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole