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Seite vii
Volumes 1 through 10 of the series offer a broad range of interpretations and effectively present a unique historical overview of the critical response to each Shakespearean work . A multiplicity of viewpoints derives from the nearly ...
Volumes 1 through 10 of the series offer a broad range of interpretations and effectively present a unique historical overview of the critical response to each Shakespearean work . A multiplicity of viewpoints derives from the nearly ...
Seite 47
At twenty - six what was to be the German actor's finest creation was only ' a worthy first sketch ' . I shall rate Mr. Gielgud's present performance higher than that . In the manifest intelligence displayed throughout ...
At twenty - six what was to be the German actor's finest creation was only ' a worthy first sketch ' . I shall rate Mr. Gielgud's present performance higher than that . In the manifest intelligence displayed throughout ...
Seite 498
After a series of scuffling , the prince presents himself ; indeed such a prince was never seen : a justice of peace ... Benvolio's account , though fine at present , would have had more merit if otherwise introduced , and the play ...
After a series of scuffling , the prince presents himself ; indeed such a prince was never seen : a justice of peace ... Benvolio's account , though fine at present , would have had more merit if otherwise introduced , and the play ...
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 11 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810361353, 9780810361355 |
| Zitat exportieren | BiBTeX EndNote RefMan |