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Volume 11 shakespearean criticism Excerpts from the Criticism of William Shakespeare's Plays and Poetry , from the First Published Appraisals to Current Evaluations Sandra L. Williamson James E. Person , Jr Editors Stephen B. Barnard ...
Volume 11 shakespearean criticism Excerpts from the Criticism of William Shakespeare's Plays and Poetry , from the First Published Appraisals to Current Evaluations Sandra L. Williamson James E. Person , Jr Editors Stephen B. Barnard ...
Seite 80
A later exercise in which Edgar put his Poor Tom speeches into the third person , prefacing all the lines with “ he said , ” succeeded in distancing the character of Poor Tom from that of Edgar . Another exercise with a mask attempted ...
A later exercise in which Edgar put his Poor Tom speeches into the third person , prefacing all the lines with “ he said , ” succeeded in distancing the character of Poor Tom from that of Edgar . Another exercise with a mask attempted ...
Seite 195
He had the whole to answer for in his own person , and could not shift the responsibility to the heads of others . ... Some persons , more nice than wise , have thought the whole of the character of lago unnatural .
He had the whole to answer for in his own person , and could not shift the responsibility to the heads of others . ... Some persons , more nice than wise , have thought the whole of the character of lago unnatural .
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole