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Gielgud's performance was judged by the critics to be very good but ultimately lacking in strength and grandeur . brilliant and thrilling , but others were unimpressed . Many felt that the actor's portrayal was unavoidably disappointing ...
Gielgud's performance was judged by the critics to be very good but ultimately lacking in strength and grandeur . brilliant and thrilling , but others were unimpressed . Many felt that the actor's portrayal was unavoidably disappointing ...
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Why Mr. Stephen Haggard's exquisitely conceived Fool is a tailing - off performance would take too much space to explain . It is an almost impossible part , though I once saw it played perfectly by a child at Oxford .
Why Mr. Stephen Haggard's exquisitely conceived Fool is a tailing - off performance would take too much space to explain . It is an almost impossible part , though I once saw it played perfectly by a child at Oxford .
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serviceable performances by Mr. Harry Andrews , Mr. Nigel Green , and Mr. Michael Gwynn . ... that this was an accident of the night rather than a fault inherent in the conception persuaded me to stay for the second performance .
serviceable performances by Mr. Harry Andrews , Mr. Nigel Green , and Mr. Michael Gwynn . ... that this was an accident of the night rather than a fault inherent in the conception persuaded me to stay for the second performance .
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 11 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Mitwirkende Personen | Gale Research Company |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810361353, 9780810361355 |
| Zitat exportieren | BiBTeX EndNote RefMan |