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Seite 243
On the line suggested by these words Mr. Booth's last scene is played , and played with a concentration of passion and restraint — a restraint evidently not due to any want of powerwhich comes as a welcome surprise after the great ...
On the line suggested by these words Mr. Booth's last scene is played , and played with a concentration of passion and restraint — a restraint evidently not due to any want of powerwhich comes as a welcome surprise after the great ...
Seite 251
But the same critic , surely no ungenerous or cold one to Kean , complains that he was all passion and energy , “ too uniformly on the verge of extravagance , too constantly on the rack . ” And he goes on , “ This does very well in ...
But the same critic , surely no ungenerous or cold one to Kean , complains that he was all passion and energy , “ too uniformly on the verge of extravagance , too constantly on the rack . ” And he goes on , “ This does very well in ...
Seite 266
James Agate ( review date 8 February 1938 ) ( Agate laments that Richardson lacks the “ physical means " and the passion to adequately render Othello , although the opening and closing acts , " the approach to , and the approach from ...
James Agate ( review date 8 February 1938 ) ( Agate laments that Richardson lacks the “ physical means " and the passion to adequately render Othello , although the opening and closing acts , " the approach to , and the approach from ...
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 11 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Mitwirkende Personen | Gale Research Company |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810361353, 9780810361355 |
| Zitat exportieren | BiBTeX EndNote RefMan |