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Having restored the curse to its original place in the drama , Mr. Phelps was judiciously careful not to give it undue effect by being too vehement . He chastened and toned it down to the proper emphasis required by its rightful ...
Having restored the curse to its original place in the drama , Mr. Phelps was judiciously careful not to give it undue effect by being too vehement . He chastened and toned it down to the proper emphasis required by its rightful ...
Seite 388
The development of the scene is original with Garrick , and hunters for plagiarism can find no more than five lines taken over from Otway . This letter , however , did produce Garrick's acknowledgment of his reliance upon the ...
The development of the scene is original with Garrick , and hunters for plagiarism can find no more than five lines taken over from Otway . This letter , however , did produce Garrick's acknowledgment of his reliance upon the ...
Seite 535
The prompt - book version was frequently shorter than the original manuscript , for cuts would be made in terms of minor characters or dramatic incidents to suit the resources of the acting company . Printed editions of plays were ...
The prompt - book version was frequently shorter than the original manuscript , for cuts would be made in terms of minor characters or dramatic incidents to suit the resources of the acting company . Printed editions of plays were ...
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole