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exclaims Lear , and the disconsolate note of sadness never had a truer utterance . Then , again , in the fourth act , where Lear comes in with his crown of straw and poppies , the wandering speech , largely incoherent , and the ...
exclaims Lear , and the disconsolate note of sadness never had a truer utterance . Then , again , in the fourth act , where Lear comes in with his crown of straw and poppies , the wandering speech , largely incoherent , and the ...
Seite 404
And so my life was determined , and I devoted myself to an avocation which I never liked or honored , and about the very nature of which I have never been able to come to any decided opinion . It is in vain that the undoubted specific ...
And so my life was determined , and I devoted myself to an avocation which I never liked or honored , and about the very nature of which I have never been able to come to any decided opinion . It is in vain that the undoubted specific ...
Seite 443
116 ] ; the superb farewell that follows it can never have been spoken with a lovelier gravity ; and the scene in which Juliet is impatient for her Nurse's news — a scene of teasing and charged excitement — is brilliant in its zest and ...
116 ] ; the superb farewell that follows it can never have been spoken with a lovelier gravity ; and the scene in which Juliet is impatient for her Nurse's news — a scene of teasing and charged excitement — is brilliant in its zest and ...
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 11 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Mitwirkende Personen | Gale Research Company |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810361353, 9780810361355 |
| Zitat exportieren | BiBTeX EndNote RefMan |