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Seite 37
These early moods of unrestrained fury , a human tempest to match Nature's dread convulsion upon the Heath , are meet for men of brain and lung . The Keans , the Cookes , the Sullivans , Salvinis , Creswicks , they could wrestle with ...
These early moods of unrestrained fury , a human tempest to match Nature's dread convulsion upon the Heath , are meet for men of brain and lung . The Keans , the Cookes , the Sullivans , Salvinis , Creswicks , they could wrestle with ...
Seite 115
cal were some of these prejudiced Persons , in their Objections , —they even urged he was too tall for the Part ; —yet , I think , ' tis generally allowed , the Advantage of tall Stature is a Beauty in Nature ; it expresses a Kind of ...
cal were some of these prejudiced Persons , in their Objections , —they even urged he was too tall for the Part ; —yet , I think , ' tis generally allowed , the Advantage of tall Stature is a Beauty in Nature ; it expresses a Kind of ...
Seite 209
and generous nature full of honest affection and manly potency . He alluded to Brabantio without any touch of anger or scorn , to himself with an air of quiet pride bottomed on conscious worth and not on any vanity or egotism , and to ...
and generous nature full of honest affection and manly potency . He alluded to Brabantio without any touch of anger or scorn , to himself with an air of quiet pride bottomed on conscious worth and not on any vanity or egotism , and to ...
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 11 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810361353, 9780810361355 |
| Zitat exportieren | BiBTeX EndNote RefMan |