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Seite 45
She and her sister well understood that their father's ' unconstant starts ' were the result of a decaying mind . They ' hit together ' accordingly . They did something and i ' the heat ' [ I. i . 308 ] . With a speed which is probable ...
She and her sister well understood that their father's ' unconstant starts ' were the result of a decaying mind . They ' hit together ' accordingly . They did something and i ' the heat ' [ I. i . 308 ] . With a speed which is probable ...
Seite 155
In all the action of the play , the mind keeps pressing back to that original fault . I almost said sin . But can we call it sin ? The mind creates sin , as it creates the world in which it moves demoniacally back to Nothing .
In all the action of the play , the mind keeps pressing back to that original fault . I almost said sin . But can we call it sin ? The mind creates sin , as it creates the world in which it moves demoniacally back to Nothing .
Seite 221
35-58 ] These short evasive sentences are subtly expressive of the state of Othello's mind ; but Fechter misrepresents them by making Othello free from all misgiving . He " toys with her curls , ” and treats her as a father might treat ...
35-58 ] These short evasive sentences are subtly expressive of the state of Othello's mind ; but Fechter misrepresents them by making Othello free from all misgiving . He " toys with her curls , ” and treats her as a father might treat ...
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 11 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Mitwirkende Personen | Gale Research Company |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810361353, 9780810361355 |
| Zitat exportieren | BiBTeX EndNote RefMan |