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Seite 356
There is a coherence between the way a property gains meaning in a dramatic action and the prevailing view of reality in the play . The conception of the “ inner stage ” really means the importation into a play like Othello of grounds ...
There is a coherence between the way a property gains meaning in a dramatic action and the prevailing view of reality in the play . The conception of the “ inner stage ” really means the importation into a play like Othello of grounds ...
Seite 441
Finding that the verse is less intelligible in the theatre than in the study — that its meaning can be grasped less easily and its beauty less readily appreciated — they conclude that the mounting is responsible , and decide in ...
Finding that the verse is less intelligible in the theatre than in the study — that its meaning can be grasped less easily and its beauty less readily appreciated — they conclude that the mounting is responsible , and decide in ...
Seite 510
You must have intuited the meaning from the words and so , living in the thought and emotion , let the words give them poetic expression . An actor with a good voice may well think he has only to give varied vocal embodiment to fine ...
You must have intuited the meaning from the words and so , living in the thought and emotion , let the words give them poetic expression . An actor with a good voice may well think he has only to give varied vocal embodiment to fine ...
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 11 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Mitwirkende Personen | Gale Research Company |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810361353, 9780810361355 |
| Zitat exportieren | BiBTeX EndNote RefMan |