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... but we see in his whole manner , that paternal fondness is combating his resentments ; and that he endeavours ... and therefore this performer's manner of playing Lear appears perfectly consistent with the whole meaning of the poet ...
... but we see in his whole manner , that paternal fondness is combating his resentments ; and that he endeavours ... and therefore this performer's manner of playing Lear appears perfectly consistent with the whole meaning of the poet ...
Seite 117
His Cordelia was Mrs. Booth ; she was well suited , by the agreeableness of her person , her voice , and manner of speaking , to several of the soft and gentler females , such as Ophelia in Hamlet , and Selima in ( Marlowe's ] Tamerlane ...
His Cordelia was Mrs. Booth ; she was well suited , by the agreeableness of her person , her voice , and manner of speaking , to several of the soft and gentler females , such as Ophelia in Hamlet , and Selima in ( Marlowe's ] Tamerlane ...
Seite 118
The goldbeaters skin , applied to the sockets , as if to staunch the bleeding , abates something perhaps of the hideousness of the spectacle . action , and manner , by the confession even of Cibber , who seems to have hated Powell .
The goldbeaters skin , applied to the sockets , as if to staunch the bleeding , abates something perhaps of the hideousness of the spectacle . action , and manner , by the confession even of Cibber , who seems to have hated Powell .
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 11 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Mitwirkende Personen | Gale Research Company |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810361353, 9780810361355 |
| Zitat exportieren | BiBTeX EndNote RefMan |