Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 11Gale Research Company, 1984 |
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... lines . Although the Palmer text is 760 lines shorter than the Shake- speare original , the play is still a long stage - piece . Evidence for this comes from John Brownsmith's Dramatic Timepiece , published in 1767 , " being a ...
... lines . Although the Palmer text is 760 lines shorter than the Shake- speare original , the play is still a long stage - piece . Evidence for this comes from John Brownsmith's Dramatic Timepiece , published in 1767 , " being a ...
Seite 391
... lines . Garrick with some rearrangements and with many cuts turned the material into an act of 451 lines divided into six scenes . To these lines of Shakespeare he added forty - two lines of his own which were necessary either to bridge ...
... lines . Garrick with some rearrangements and with many cuts turned the material into an act of 451 lines divided into six scenes . To these lines of Shakespeare he added forty - two lines of his own which were necessary either to bridge ...
Seite 470
... lines on the entry of the watch , delayed the Prince's entry , so that he had no need to repeat his question , and eliminated some of his orders ; he also cut a few lines of the Friar's explanation and the whole of the depositions of ...
... lines on the entry of the watch , delayed the Prince's entry , so that he had no need to repeat his question , and eliminated some of his orders ; he also cut a few lines of the Friar's explanation and the whole of the depositions of ...
Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience Barry beauty Booth Brabantio Brook Cassio century character Cibber conception Cordelia costumes critic curtain daughters David Garrick Desdemona Donald Wolfit dramatic Drury Lane Edgar Edmund Edmund Kean Edwin Booth effect Elizabethan Emilia emotional essay date expression eyes feel Fool Forrest Garrick gesture give Gloucester Goneril heart Henry Irving Iago Iago's imagination interpretation Irving Irving's jealousy John Gielgud Kean Kean's Kemble Kent King Lear Lear's lines London look Macready mance ment mind Miss Moor nature never night noble Old Vic Olivier Olivier's Othello passion pathos performance Peter Brook play's players portrayal rage Regan review date Robeson Roderigo role Romeo and Juliet Salvini scene Scofield seems sense Shake Shakespeare speak speech stage storm Stratford suggested Theatre theatrical thing thou thought tion Tommaso Salvini tone tragedy tragic voice whole Wolfit words