Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 11Gale Research Company, 1984 |
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... lights come up - the action continuing in full light for several seconds afterwards . If this works , it should jar the audience into a new kind of adjustment to Gloucester and his tragedy . The house lights remove all pos- sibility of ...
... lights come up - the action continuing in full light for several seconds afterwards . If this works , it should jar the audience into a new kind of adjustment to Gloucester and his tragedy . The house lights remove all pos- sibility of ...
Seite 267
... light . An exuberance of spleen is the essence of the character . ' Mr. Olivier gives us the exuberance but omits the spleen , and before we condemn this utterly we are , I suggest , to remem- ber that this was exactly the vein in which ...
... light . An exuberance of spleen is the essence of the character . ' Mr. Olivier gives us the exuberance but omits the spleen , and before we condemn this utterly we are , I suggest , to remem- ber that this was exactly the vein in which ...
Seite 457
... light flowers , with velvet sleeves . With its allusions to the painting , this dress associated Juliet with fer- tility and new life , heightening the irony of her unwitting , swift progress towards death . For the close , Juliet had a ...
... light flowers , with velvet sleeves . With its allusions to the painting , this dress associated Juliet with fer- tility and new life , heightening the irony of her unwitting , swift progress towards death . For the close , Juliet had a ...
Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience Barry beauty Booth Brabantio Brook Cassio century character Cibber conception Cordelia costumes critic curtain daughters David Garrick Desdemona Donald Wolfit dramatic Drury Lane Edgar Edmund Edmund Kean Edwin Booth effect Elizabethan Emilia emotional essay date expression eyes feel Fool Forrest Garrick gesture give Gloucester Goneril heart Henry Irving Iago Iago's imagination interpretation Irving Irving's jealousy John Gielgud Kean Kean's Kemble Kent King Lear Lear's lines London look Macready mance ment mind Miss Moor nature never night noble Old Vic Olivier Olivier's Othello passion pathos performance Peter Brook play's players portrayal rage Regan review date Robeson Roderigo role Romeo and Juliet Salvini scene Scofield seems sense Shake Shakespeare speak speech stage storm Stratford suggested Theatre theatrical thing thou thought tion Tommaso Salvini tone tragedy tragic voice whole Wolfit words