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Seite 43
When new light breaks forth upon him my first instinct is to rejoice in it . My second is to believe that this new light will not be the last . My third instinct is that new light is more likely to be brought out by fine acting than by ...
When new light breaks forth upon him my first instinct is to rejoice in it . My second is to believe that this new light will not be the last . My third instinct is that new light is more likely to be brought out by fine acting than by ...
Seite 135
As he is groping about pathetically , the house - lights come up — the action continuing in full light for several seconds afterwards . If this works , it should jar the audience into a new kind of adjustment to Gloucester and his ...
As he is groping about pathetically , the house - lights come up — the action continuing in full light for several seconds afterwards . If this works , it should jar the audience into a new kind of adjustment to Gloucester and his ...
Seite 457
By means of light as well as acting , the director intended to give the impression of a hot Verona summer — the text specifies July at ( Act I , Scene iii ] and ' these hot days ' at ( III . i . 4 ]but the results did not match his plan ...
By means of light as well as acting , the director intended to give the impression of a hot Verona summer — the text specifies July at ( Act I , Scene iii ] and ' these hot days ' at ( III . i . 4 ]but the results did not match his plan ...
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole