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Seite 249
No one but Mr. Irving would have given us the ancient he did , whereas , though very few , perhaps , would give it as well and as completely , most actors would give us more or less the ancient of Mr. Booth .
No one but Mr. Irving would have given us the ancient he did , whereas , though very few , perhaps , would give it as well and as completely , most actors would give us more or less the ancient of Mr. Booth .
Seite 330
And , less poetically , but none the less really , he reminded many a young lago of a wild beast at bay . Over and over again throughout the nineteenth century we find old men in their men irs remembering , as if bewitched , the strange ...
And , less poetically , but none the less really , he reminded many a young lago of a wild beast at bay . Over and over again throughout the nineteenth century we find old men in their men irs remembering , as if bewitched , the strange ...
Seite 441
Finding that the verse is less intelligible in the theatre than in the study — that its meaning can be grasped less easily and its beauty less readily appreciated — they conclude that the mounting is responsible , and decide in ...
Finding that the verse is less intelligible in the theatre than in the study — that its meaning can be grasped less easily and its beauty less readily appreciated — they conclude that the mounting is responsible , and decide in ...
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole