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Seite 128
They are indeed precisely the substance of his later madness , and a whimsical Lear cannot grow into the Lear of the Storm scenes ; the stuff is not there . I conclude that the traditional reading is correct and necessary ; that certain ...
They are indeed precisely the substance of his later madness , and a whimsical Lear cannot grow into the Lear of the Storm scenes ; the stuff is not there . I conclude that the traditional reading is correct and necessary ; that certain ...
Seite 411
When she played Juliet in Paris in 1845 , Théophile Gautier [ in La Presse , 20 January 1845 ] spoke of her invincible resolution here , and twenty years later , during her last London performances of Juliet , a reviewer wrote ( in The ...
When she played Juliet in Paris in 1845 , Théophile Gautier [ in La Presse , 20 January 1845 ] spoke of her invincible resolution here , and twenty years later , during her last London performances of Juliet , a reviewer wrote ( in The ...
Seite 515
At this moment Friar Lawrence comes out of the tent with a basket ( Q2 : “ Enter Friar alone with a basket " ) , and later Romeo enters left . Both then exeunt center . Benvolio and Mercutio enter left . Romeo , coming in from center ...
At this moment Friar Lawrence comes out of the tent with a basket ( Q2 : “ Enter Friar alone with a basket " ) , and later Romeo enters left . Both then exeunt center . Benvolio and Mercutio enter left . Romeo , coming in from center ...
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 11 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Mitwirkende Personen | Gale Research Company |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810361353, 9780810361355 |
| Zitat exportieren | BiBTeX EndNote RefMan |