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Seite 137
... the spell they have for imagination ; and the gradual interweaving of the two plots is almost as masterly as in Much Ado . ... the interpenetration of sublime imagination , piercing pathos , and humour almost as moving as the pathos ...
... the spell they have for imagination ; and the gradual interweaving of the two plots is almost as masterly as in Much Ado . ... the interpenetration of sublime imagination , piercing pathos , and humour almost as moving as the pathos ...
Seite 141
We seem to trace the tendency which , a few years later , produced Ariel and Caliban ( in The Tempest ) , the tendency of imagination to analyse and abstract , to decompose human nature into its constituent factors , and then to ...
We seem to trace the tendency which , a few years later , produced Ariel and Caliban ( in The Tempest ) , the tendency of imagination to analyse and abstract , to decompose human nature into its constituent factors , and then to ...
Seite 334
He contends that while a reader's imagination may comprehend and applaud the virtue of Desdemona in disregarding Othello's color and loving him for his intellectual and moral qualities , the depiction on stage of their “ courtship and ...
He contends that while a reader's imagination may comprehend and applaud the virtue of Desdemona in disregarding Othello's color and loving him for his intellectual and moral qualities , the depiction on stage of their “ courtship and ...
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 11 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Mitwirkende Personen | Gale Research Company |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810361353, 9780810361355 |
| Zitat exportieren | BiBTeX EndNote RefMan |