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Seite 23
... difficult - because it is so perfectly human , human in its sympathies and in its antipathies , human in its selfishness , in its kindliness , in its obstinacy , in its yieldingness — human , in short , in its constitution ...
... difficult - because it is so perfectly human , human in its sympathies and in its antipathies , human in its selfishness , in its kindliness , in its obstinacy , in its yieldingness — human , in short , in its constitution ...
Seite 32
Towse acknowledges that Salvini disregarded some venerable stage traditions , for example , presenting Lear as more vigorous and “ far less tempestuous ” in the early scenes and accentuating his " human attributes " rather than his ...
Towse acknowledges that Salvini disregarded some venerable stage traditions , for example , presenting Lear as more vigorous and “ far less tempestuous ” in the early scenes and accentuating his " human attributes " rather than his ...
Seite 179
Many critics regard Othello as Shakespeare's finest work , infinitely more terrifying than the heroic tragedies because of its utterly human , domestic context . In addition , the focus on the principal dramatic triangle and the absence ...
Many critics regard Othello as Shakespeare's finest work , infinitely more terrifying than the heroic tragedies because of its utterly human , domestic context . In addition , the focus on the principal dramatic triangle and the absence ...
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 11 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Mitwirkende Personen | Gale Research Company |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810361353, 9780810361355 |
| Zitat exportieren | BiBTeX EndNote RefMan |