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Seite 95
All his life he has thought of himself as a man of firm character , his heart full of love ; now his daughters have wrought a change in him , which started with the ugliness of Cordelia's " most small fault ” ; the self that seemed ...
All his life he has thought of himself as a man of firm character , his heart full of love ; now his daughters have wrought a change in him , which started with the ugliness of Cordelia's " most small fault ” ; the self that seemed ...
Seite 418
Sometimes , in reading them , one feels a sudden sing of pain , and seems to have in his heart a mournful voice speaking unintelligible words of sorrow . These scenes can never have the same charm when acted as they have , now and then ...
Sometimes , in reading them , one feels a sudden sing of pain , and seems to have in his heart a mournful voice speaking unintelligible words of sorrow . These scenes can never have the same charm when acted as they have , now and then ...
Seite 494
Shakespear , who well knew all that is here written ; for it is but transcribed upon the paper from the heart ; has put but few words into his mouth on this occasion . It would have been a fine subject for an exclamation to an Otway ...
Shakespear , who well knew all that is here written ; for it is but transcribed upon the paper from the heart ; has put but few words into his mouth on this occasion . It would have been a fine subject for an exclamation to an Otway ...
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole