Im Buch
Ergebnisse 1-3 von 86
Seite 252
... but , being wrought , Perplex'd in the extreme ; of one whose hand , Like the base Indian , threw a pearl away Richer ... and esteem no act But that of hand : the still and mental parts— That do contrive how many hands shall strike ...
... but , being wrought , Perplex'd in the extreme ; of one whose hand , Like the base Indian , threw a pearl away Richer ... and esteem no act But that of hand : the still and mental parts— That do contrive how many hands shall strike ...
Seite 353
1401-04 ] The " full and significant " action of Othello's body while addressing the Duke and Senators would probably include some such “ sober action ” of the hand , but the nification ” of his nobility is as much in his words as in ...
1401-04 ] The " full and significant " action of Othello's body while addressing the Duke and Senators would probably include some such “ sober action ” of the hand , but the nification ” of his nobility is as much in his words as in ...
Seite 479
That Romeo understands this is vividly suggested by his impulsive kissing of the Friar's hand , through his tears ... to the Capulet ball by their companions , leaving Romeo behind , the two extend their hands out to one another .
That Romeo understands this is vividly suggested by his impulsive kissing of the Friar's hand , through his tears ... to the Capulet ball by their companions , leaving Romeo behind , the two extend their hands out to one another .
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole