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nobody else would give them , and in which nobody else would expect them to be given . But singularity is not always excellence . Why , for instance , should our actor lower his voice in the soliloquy in the third act , ' Blow winds ...
nobody else would give them , and in which nobody else would expect them to be given . But singularity is not always excellence . Why , for instance , should our actor lower his voice in the soliloquy in the third act , ' Blow winds ...
Seite 134
guage is gesture , there is a life to which the words give life , and it is to that life we [ are ) finally responsible ( Herbert Blau in his “ A Subtext Based on Nothing ” ) . As a device for training actors , I am willing to believe ...
guage is gesture , there is a life to which the words give life , and it is to that life we [ are ) finally responsible ( Herbert Blau in his “ A Subtext Based on Nothing ” ) . As a device for training actors , I am willing to believe ...
Seite 521
Shakespeare gives no indication . When the parents have left the room , Juliet begs Nurse for help : ence reaction ( some of the references and puns are anyway too obscure ) . Shakespeare had written a Cockney wit into a Veronese nurse ...
Shakespeare gives no indication . When the parents have left the room , Juliet begs Nurse for help : ence reaction ( some of the references and puns are anyway too obscure ) . Shakespeare had written a Cockney wit into a Veronese nurse ...
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 11 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810361353, 9780810361355 |
| Zitat exportieren | BiBTeX EndNote RefMan |