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Salvini brought remarkable physical attributes to the role of Othello , including “ vigorous form , ” a “ rich full - toned voice , " and a versatile , expressive face . The combination of physical endowments and exceptional histrionic ...
Salvini brought remarkable physical attributes to the role of Othello , including “ vigorous form , ” a “ rich full - toned voice , " and a versatile , expressive face . The combination of physical endowments and exceptional histrionic ...
Seite 223
So that it may be truly said that his face is of immense mobility , but its changes are rapid , and not slowly shifting ones . His face presents this look at one moment , and that — a quite different one — at another , and you are ...
So that it may be truly said that his face is of immense mobility , but its changes are rapid , and not slowly shifting ones . His face presents this look at one moment , and that — a quite different one — at another , and you are ...
Seite 477
The camera focuses on Juliet's youthful but serious face as it reacts to every line the nurse speaks ; the eyebrows arch when the nurse calls Romeo a dishclout to Paris ; the mouth sets firmly as the nurse tells Juliet that this match ...
The camera focuses on Juliet's youthful but serious face as it reacts to every line the nurse speaks ; the eyebrows arch when the nurse calls Romeo a dishclout to Paris ; the mouth sets firmly as the nurse tells Juliet that this match ...
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 11 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Mitwirkende Personen | Gale Research Company |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810361353, 9780810361355 |
| Zitat exportieren | BiBTeX EndNote RefMan |