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Seite 118
In some of the old English plays , written by Marlow , Marston , Ford , and others , we find shocking instances of mutilated limbs , of pulling out eyes , & c . but nothing in all Shakspeare resembling this shocking act of Cornwall ...
In some of the old English plays , written by Marlow , Marston , Ford , and others , we find shocking instances of mutilated limbs , of pulling out eyes , & c . but nothing in all Shakspeare resembling this shocking act of Cornwall ...
Seite 234
One feels that he loves the nose , the eyes , the mouth , the lips , and the swan neck of the divine head . fell hungrily on those places and words of the rôle which Salvini commanded us to notice and to remember .
One feels that he loves the nose , the eyes , the mouth , the lips , and the swan neck of the divine head . fell hungrily on those places and words of the rôle which Salvini commanded us to notice and to remember .
Seite 500
14 ) , states that “ a pale woman with black eyes ” is suggestive of a wanton nature . Is this Rosaline's character ? If we are to accept seriously Mercutio's words as being the poet's description of Rosaline's personal appearance ...
14 ) , states that “ a pale woman with black eyes ” is suggestive of a wanton nature . Is this Rosaline's character ? If we are to accept seriously Mercutio's words as being the poet's description of Rosaline's personal appearance ...
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole