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Seite 30
The great difficulty , then , lies in discovering how to heighten the effect according to the laws of art , and , at the same time , to decline in physical power . Every audience has its intelligent proportion to note and appreciate the ...
The great difficulty , then , lies in discovering how to heighten the effect according to the laws of art , and , at the same time , to decline in physical power . Every audience has its intelligent proportion to note and appreciate the ...
Seite 147
Why should not the ultimate effect of this be coherent and balanced enough ? There may well be even more meaning in King Lear than will come to us thus ; matter we may pick out of the text , speculate and argue over ; as , no doubt ...
Why should not the ultimate effect of this be coherent and balanced enough ? There may well be even more meaning in King Lear than will come to us thus ; matter we may pick out of the text , speculate and argue over ; as , no doubt ...
Seite 411
As one dreadful image succeeded another , Miss Faucit allowed no apparent limit to the harrowing effect of her acting . Critics wrote that “ her horror . . . was almost too horrible for stage representation ” ( The Belfast Daily Mercury ...
As one dreadful image succeeded another , Miss Faucit allowed no apparent limit to the harrowing effect of her acting . Critics wrote that “ her horror . . . was almost too horrible for stage representation ” ( The Belfast Daily Mercury ...
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 11 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810361353, 9780810361355 |
| Zitat exportieren | BiBTeX EndNote RefMan |