Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 11Gale Research Company, 1984 |
Im Buch
Ergebnisse 1-3 von 96
Seite 29
... daughters ' ingrat- itude . The role of Lear , he points out , requires that the actor forgo the usual method of gradually developing the character . Further , the actor must continually ascend to greater heights of passion even as ...
... daughters ' ingrat- itude . The role of Lear , he points out , requires that the actor forgo the usual method of gradually developing the character . Further , the actor must continually ascend to greater heights of passion even as ...
Seite 138
... daughters in proportion to the strength of their several pro- testations of love , is much too harsh and is based upon a strange misunderstanding . This scene acts effectively , and to imagination the story is not at all incredible . It ...
... daughters in proportion to the strength of their several pro- testations of love , is much too harsh and is based upon a strange misunderstanding . This scene acts effectively , and to imagination the story is not at all incredible . It ...
Seite 162
... daughters ' several dowers , that future strife May be prevented now . The princes , France and Burgundy , Great rivals in our youngest daughter's love , Long in our court have made their amorous sojourn , And here are to be answered ...
... daughters ' several dowers , that future strife May be prevented now . The princes , France and Burgundy , Great rivals in our youngest daughter's love , Long in our court have made their amorous sojourn , And here are to be answered ...
Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actor admirable appeared audience Barry beauty Booth Brabantio Brook Cassio century character Cibber conception Cordelia costumes critic curtain daughters David Garrick Desdemona Donald Wolfit dramatic Drury Lane Edgar Edmund Edmund Kean Edwin Booth effect Elizabethan Emilia emotional essay date expression eyes feel Fool Forrest Garrick gesture give Gloucester Goneril heart Henry Irving Iago Iago's imagination interpretation Irving Irving's jealousy John Gielgud Kean Kean's Kemble Kent King Lear Lear's lines London look Macready mance ment mind Miss Moor nature never night noble Old Vic Olivier Olivier's Othello passion pathos performance Peter Brook play's players portrayal rage Regan review date Robeson Roderigo role Romeo and Juliet Salvini scene Scofield seems sense Shake Shakespeare speak speech stage storm Stratford suggested Theatre theatrical thing thou thought tion Tommaso Salvini tone tragedy tragic voice whole Wolfit words