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Seite 158
“ The character itself has . . . that vitality which positive virtues give . Cordelia is never in doubt about herself ; she has no vagaries ” ; hence our impression of her is “ clear cut . " Add to this her calm and steadfast isolation ...
“ The character itself has . . . that vitality which positive virtues give . Cordelia is never in doubt about herself ; she has no vagaries ” ; hence our impression of her is “ clear cut . " Add to this her calm and steadfast isolation ...
Seite 181
He attempted to make the character natural , and made it vulgar . His idea of the character and of the play from first to last showed utter misconception . ” a strong - willed character whose love and nobility are unparalleled .
He attempted to make the character natural , and made it vulgar . His idea of the character and of the play from first to last showed utter misconception . ” a strong - willed character whose love and nobility are unparalleled .
Seite 250
The more sober of his admirers have , of course , long ago discriminated these two phases : seen when and how he was original because he had really originated some new point of the character he was portraying , brought into fresh light ...
The more sober of his admirers have , of course , long ago discriminated these two phases : seen when and how he was original because he had really originated some new point of the character he was portraying , brought into fresh light ...
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 11 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Mitwirkende Personen | Gale Research Company |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810361353, 9780810361355 |
| Zitat exportieren | BiBTeX EndNote RefMan |