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Seite 341
Othello's words gather intensity : to become more still as his language became more violent : which is illogical ... sea island in Mourning Becomes Electra , the silver bullets in The Emperor Jones , or the Wild Duck in Ibsen's play .
Othello's words gather intensity : to become more still as his language became more violent : which is illogical ... sea island in Mourning Becomes Electra , the silver bullets in The Emperor Jones , or the Wild Duck in Ibsen's play .
Seite 478
The headstrong Tybalt , and the willfulness of the older generation , particularly as seen in Lord Capulet , are other aspects of the lovers ' environment which , though potential in the first half of the film , now become intrusive ...
The headstrong Tybalt , and the willfulness of the older generation , particularly as seen in Lord Capulet , are other aspects of the lovers ' environment which , though potential in the first half of the film , now become intrusive ...
Seite 488
Shakespeare remains the same , and the actor who becomes the great Romeo , the actress who becomes the great Juliet , is the one who is most faithful to the poet's conception . ( p . 94 ) Montrose J. Moses , " Stage History of Famous ...
Shakespeare remains the same , and the actor who becomes the great Romeo , the actress who becomes the great Juliet , is the one who is most faithful to the poet's conception . ( p . 94 ) Montrose J. Moses , " Stage History of Famous ...
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole