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Seite 192
The part of lago was played at Drury - Lane on Saturday by Mr. Kean , and played with admirable facility and effect . It was the most faultless of his performances , the most consistent and entire . Perhaps the accomplished hypocrite ...
The part of lago was played at Drury - Lane on Saturday by Mr. Kean , and played with admirable facility and effect . It was the most faultless of his performances , the most consistent and entire . Perhaps the accomplished hypocrite ...
Seite 228
The fault of Kean's Othello , as indeed of all his parts , was that it was not an artistic whole : separate scenes , and single passages , were given with admirable truth , vigour and beauty , but the entire character was comparatively ...
The fault of Kean's Othello , as indeed of all his parts , was that it was not an artistic whole : separate scenes , and single passages , were given with admirable truth , vigour and beauty , but the entire character was comparatively ...
Seite 236
power of this admirable voice and physical presence to reinforce the content of his lines . The Saturday Review of 10 April 1875 spoke enthusiastically of his bearing : “ that of a man long accustomed to the dignity of command ...
power of this admirable voice and physical presence to reinforce the content of his lines . The Saturday Review of 10 April 1875 spoke enthusiastically of his bearing : “ that of a man long accustomed to the dignity of command ...
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Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience beauty becomes beginning Booth Brook called Cassio century character comes conception Cordelia critic daughters death Desdemona directed Edgar effect Elizabethan Emilia emotion English expression eyes face feel final Fool force Garrick give given Gloucester Goneril hand heart human Iago imagination interpretation Irving John Juliet Kean kind King Lear lack lago later Lear's less light lines London look manner meaning mind Miss Moor moving nature never night notes once opening original Othello passion performance perhaps person physical play present production reading reason remarks role Romeo Salvini scene seems seen sense Shakespeare speak speech stage storm success suggested Theatre thing thought tion tragedy tragic turn voice whole